naophoros – Page 5 – what we carry within us

2011-05-12

“Basic Photography” or the “Basics of Photography”

There is a difference. The workshop I am starting up today is not “basic photography”, in the sense of photography for just beginners. Rather, if the word “basic” must be used to describe it, it is the “basics of photography”, in the sense that we may already be highly creative, have an excellent eye for the image we want, and take beautiful photographs on a regular basis, but we still have a weakness in the technical aspects of how photography works.

Photography is intriguing in that way: it is both highly creative and highly technical. You have to have a feel for the image, and eye for what to capture, but you also have to have a solid understanding of the technical aspects of how cameras and lenses work. That technical understanding will unlock knew realms of creativity, or, at the very least, help you mess-up fewer photos.

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2011-05-04

New Workshop on the Basics of Photography

fundamentals of photographic technique

Do you see good photo ops, but just cannot seem to make the camera capture it like you see it? Photography is half creativity and half technique, and without a firm grasp on the technical side of how our cameras capture photographs, we can only hope our cameras take the photo we want. We will learn about light, how our cameras capture it, and the limitations and creative potential unique to photography.

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2011-03-16

Stop and Smell the Diesel Fumes

Pumping diesel for heavy machinery, sporting a hardhat and safety goggles, using a unique but most likely purposeful grip, and even providing shipping containers for a background: this is the kind of photo I throroughly enjoy finding. I see them a lot more than I have a chance to capture them.

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2011-02-24

Darkrooms, Heirlooms, and Kiddy Chopsticks

My daily work in the darkroom back in high school year book class has continued to pay off in all kinds of ways…I just never quite thought of this one. Sure, it helps me understand how to work on my photos in digital post processing. And yes, the love of the negative leaves me with no choice but raw over JPG. And without a doubt, there is something in those chemicals soaking into your finger tips that makes you a better photographer…or at least a more interesting one.

However, I never would have imagined my boss would hand me her one surviving photo of her two parents, faded, cracked into a strange and very non-conformist geometric shape, taped together from a suspicious rift right between the couple, and caked with a darkening grime which had presumably become a part of the photograph. To top it off, she is going to use it on the cover of the book she just finished. Enter Long-Since-Retired Darkroom Man!

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2011-01-27

Gather Ye Rosebuds While Ye May

A most excellent diversion…wait, no, this is work, right? In one of those rare moments when neither life or wife required me to return home, I had Temple’s MK&T rail depot all to myself at sundown.

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2011-01-25

Memorize Your Aperture Stops

Aperture is just funky. Well, if you sit around with friends calculating the area of a circle and talk about the next digit of π, then maybe you are just a different kind of normal and aperture is your cup of tea. For the rest of us, though, I highly suggest a time honored method to understanding your camera, though understanding why the numbers are weird will elude you: memorize.

Any of us can calculate that ISO 200 is twice as sensitive as ISO 100, and ISO 400 is twice as fast as as ISO 200. With film sensitivity, a stop of light is easy to figure. Even with the shutter speed, though they inconveniently do not use exact numbers, the key numbers are approximately exponential: 2, 4, 8, 15, 30, 60, 125, 250, 500, 1000. There is a little funny business going on in there, but basically, it is easy to figure a stop of light. Aperture, though? Not so much.

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2011-01-23

Real Life Produces the Best Portraits

An excellent portrait in my book has little to do with technical perfection, trick lighting, or a formulaic set up. An excellent portrait is a glimpse at a person, tells a story, reveals something of the subject’s character, or allows you to understand the subject better. As such, a good portrait might well be in a studio, but quite likely will not, because the subject likely will be more comfortable in a familiar setting, and just maybe, a particular setting could bring out something unexpected. There is, of course, much we can all learn, there are little tips and tricks, but much of portrait photography comes down to just doing it. Trying to make the photo happen, then just letting it happen. Emulating a popular style, then doing it the good old fashioned way. Focusing on technique, then working to capture that one expression. More than anything else, I hope…

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2011-01-04

Learning the Technical Side of Photography

Do you see good photo ops, but just cannot seem to make the camera capture the image like you see it? Photography is half creativity and half technique, and without a firm grasp on the technical side of how our cameras capture photographs, we can only hope our cameras take the photo we want. We all struggle with this “other half of photography”, but the more we understand and know how to put into practice, the fewer ruined photographs we will have. I will be leading a class on Wednesday nights this month (January) to learn about light, how our cameras capture it, and the limitations and creative potential unique to photography. Temple Parks & Leisure is providing this class each Wednesday in January from 5:30-7:00pm for a total cost of $45. Feel free to ask any questions you might have of me below in the comments or contact Temple…

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2010-12-29

Everyday Portrait Photography Class

I will soon have the pleasure of leading some photography classes here in Temple, Texas, and I wanted to start off with the most useful topic possible [note: I did want to start with portraits, but due to some miscommunication between me and Temple Parks, we will do the portrait workshop in February]. How many of us would not appreciate being able to take better photos of our family and friends? The vast majority of our photos are of people, yet photographing people can prove to be one of the most difficult photographic pursuits. The focus of the workshop will not be to cram technical information…as if portrait photography were as simple as learning some formulaic technique anyway. The focus is to turn simple tips into habits through doing. We will identify the problems plaguing our pictures, learn the fix, and practice that fix enough that we all but eliminate…

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2010-12-05

The Shoot of My Dreams

A Modern Apache in Full Regalia — Tallbear

I never could have dreamed this day would come. The only thing that would top an indian (of the American variety) walking into my day in full regalia would be moving out to the reservation and going native myself. I had seen the “Native American Dance” performance slated on the schedule for our school, but for all I know, some dude in blue jeans and a dollar store head dress was going to strut in with his cultural spiel. Just because I would beat myself if it did turn out well and I was not ready, I had to scout a potential portrait location.

An elementary school cafetorium is not exactly the most inspiring backdrop for an American Indian portrait shoot, so I took a little walk behind the school as soon as I arrived that morning. Just two weeks before, I had been day dreaming in that very grassy field, which was much more tall and Great-Plains-wavy then, what it would have been like hundreds of years ago, pre white dudes. The gentle, brown sea sparked the beginning of a (most likley ill-fated) novel idea. Long story short: there is no better, close place for the potential shoot.

Then, into my cafetorium walks Tallbear. I swooned. I recovered, helped hook up the sound system, took a few shots with some tastefully 80s colored backgrounds, pondered the possibility of wrangling them into an impromptu portrait shoot, then swooned again.

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