Category: photosophy

2009-01-09

What is the joy of photography? Why do we do it? What is the purpose? Does it even have a purpose?

I was happily oblivious to these thoughts, and the folks over at the Digital Photography Life podcast ruined it all for me. No, it was a good thing; we need to reevaluate the whys of life every once in a while. Scott and Michael, the hosts of the podcast, set “The Joy of Photography” as the theme for their next contest. As I started thinking through how to portray that, I had to think more and more about what the joy really was. Was there any joy? Well, of course, yes.

2008-12-21

How did the masters use light? Painters, I mean. I had not really thought about it. I mean, I knew folks like Monet (I think it was him…I cannot quite remember) actually moved house to a new village just because the light there was better. Still it is easy to think, “Hey, it’s paint, they can make whatever light they want!”

Well, I just read a great (mock) Rembrandt interview over at the Strobist. That is right, Rembrandt, in the not-so-flesh, is going on record to help us understand how he controls light to achieve his desired results. Warning: the Strobist is all about off-camera flash photography, so if that is not your thing, it might be too photo-techy. Of course, if photography and lighting ARE your thing, you might hurt yourself laughing! A work of genius! Laugh and learn.

2008-07-17

Is a picture really worth a thousand words? Should photos speak for themselves or does the photographer need to guide the interpretation? Should we combine photos with words? Should we even have captions?

Yes. Wait…no. Man, I don’t know.

There are many answers to each of those questions. A photo may be worth a thousand words, but depending on the content of the photograph and the audience viewing it, just which words could be hard to determine. The photographer needs to determine what the message is and communicate that. If words are needed, use them. If not, don’t.

2008-07-07

I have a little confession to make. I cannot even count the number of times I have, in the depths of my thoughts, tried to justify calling myself a professional. It really seems the digital age of photography has confused the minds of many as to who is professional and who is amateur and what the word ‘professional’ even means.

The topic came to mind the other day when I saw a contest with different categories for professional and amateur, where of course, they had to define the difference. The rules said that professional photographer are “people whose main activity is photography and who, consequently, have already sold, published and exhibited their work”. The amateurs are everybody else.

2008-07-04

Sometimes, a totally random event will draw us outside our preconceptions and help us see photography in a new light. I would never have thought of photos and captions in the context of adoption or how that application of photography could be anything special, but for a foreign adoption of a child who is already grown and speaks a different language, knows a different culture, and within the space of a few minutes is being launched into a new family, a simple photo album can be a treasure.

At first glace, this seems totally unrelated to photography, I know, but keep the title in mind. It has everything to do with photos and captions, and not only that, but applying our medium to the world around us in order to build others up instead of shooting just for some techy self-pleasure.

My brother and sister-in-law just adopted a nine-year-old girl from China. Before they left, my sister-in-law had the idea of using this cool little photo album they had been given to help their nine-year-old daughter acclimate to the her family. Each page in the photo album could record a ten second message to explain the photo. Then, when you just happen to have a brother that lives and works in China (enter ChinaCoop), that album can be narrated in Chinese.

Simply put, all I did was narrate captions (in Chinese) to a photo album.

2008-05-12

What do we shoot when there is nothing to shoot? Now, do not get me wrong, because I am definitely from the camp of thought that there is always something to shoot, just like I do not feel like we ever need to be bored (there is always something to think about).

Sometimes, still, we are stuck. Our imaginations can still run, and there is still much to shoot, but maybe not what we want or need to be shooting.

The example I give you is me right now. I try to focus on people; that is what I want to shoot and where I place most of my emphasis. Number one, my wife and I are in SmallTown, America, and Americans have become increasingly private. It is not so much that we cannot take photos of them because they would be offended and more because they move from home to car to job to car to home…and then just watch TV. They barely breathe outside air; how do you catch them in the open?

2008-04-07