Tag: manual focus

2010-12-05
Tallbear

I never could have dreamed this day would come. The only thing that would top an indian (of the American variety) walking into my day in full regalia would be moving out to the reservation and going native myself. I had seen the “Native American Dance” performance slated on the schedule for our school, but for all I know, some dude in blue jeans and a dollar store head dress was going to strut in with his cultural spiel. Just because I would beat myself if it did turn out well and I was not ready, I had to scout a potential portrait location.

An elementary school cafetorium is not exactly the most inspiring backdrop for an American Indian portrait shoot, so I took a little walk behind the school as soon as I arrived that morning. Just two weeks before, I had been day dreaming in that very grassy field, which was much more tall and Great-Plains-wavy then, what it would have been like hundreds of years ago, pre white dudes. The gentle, brown sea sparked the beginning of a (most likley ill-fated) novel idea. Long story short: there is no better, close place for the potential shoot.

Then, into my cafetorium walks Tallbear. I swooned. I recovered, helped hook up the sound system, took a few shots with some tastefully 80s colored backgrounds, pondered the possibility of wrangling them into an impromptu portrait shoot, then swooned again.

2010-10-12

I have really fallen in love with the Ee-S focusing screen for the Canon 5D. This is not a review in the sense that I will try to cover everything, but it is in the sense that I am sharing my thoughts on Canon’s über-accurate manual focusing screen. I have been using it almost totally in conjunction with Nikon lenses. The why will come later, but I mention it now because using it with Canon or non-Canon lenses is actually quite a different experience, and the answer to this question will make a little more sense with that information in mind.

Basically, the matte screen from Canon is made to manual focus wide aperture prime lenses. Since almost all (if not all) cameras display (in the viewfinder) at about f/2.4ish, the depth of field you see is quite different than the actual depth of field on an 85mm f/1.8, 50mm f/1.4, or some such lens. Meaning, you never really know if you are crystal clear where you want to be crystal clear and you just have to trust that the camera focused right where you wanted it.