All day long, though he knows it is rarely visible in the day, my boy is asking about the “mooyn”. Every circle is a moon, not a ball or even a sun…it is a moon. Even my SmugMug camera strap, which features a simple smiley face (two dot eyes and a crescent looking mouth) is a moon and two stars to him.
There I was, driving along the moat road in Chiangmai, Thailand, and I saw a new Buddha statue/shrine/idol (take your pick) being erected a one of the many temples here in town. Since this was one of those few times I was driving alone, I instantly realized my wife would not even have to put up with me for stopping this time. I could not pass up such a good opportunity.
I uploaded the gallery from the midnight factory shift photo story. As I mentioned a few days ago, I really wanted to treat it like a film shoot. I left the photos unseen for several days, trying to break my LCD habit and to start thinking more when actually taking the photos.
Also, when processing them, I honored my initial decision to make them black and white, as if I had chosen a roll of film. Meaning, I made one black and white conversion and applied it to all of them.
I read a wonderful blog post. I already mentioned this on Twitter @CooperStrange, but wanted to flesh it out more here: I was particularly affected by a recent article on the Strobist site. It was not the regular Strobist, off-camera lighting spiel, but rather a deeper look into the business of photography…though in this case, the non-business might be more accurate.
Well, so I do not overload you with a long post here (because if you actually follow that link and read his post, it is already quite long), I will cut to the chase. The Strobist post was good, but I very much liked the e-mail he left a link to near the bottom of the site. This was an e-mail from a friend of Mr. Stobist (David Hobby) who was passionately explaining his idea of developing documentary (story telling) photographers by teaching them “how to create decent photojournalism using Bressonian decisive moment style.”