Tag: documentary

2010-06-15

Merely writing that title before I begin writing makes me worry this will become a soapbox post. Or is that monologue-in-waiting just a defense mechanism welling up to cover my deeper insecurities about whether I am attempting to sell out my own vision to money or notoriety? Translated: am I letting my attempt for extra cash for new gear or my pagerank on Google edge out the reason I shoot in the first place?

A friend recently asked me in an e-mail: “interesting to see something of what you are up to [in photography] … though I recognise that the photos don’t represent life per se.” Meaning, I have striven for many years not only to capture life around me, but to dig deeper to try to find moments which can be captured which show us a glimpse of reality, Truth, and beauty. And when I say “beauty”, I do not mean simply a pretty picture; I mean beauty which points to something much more “real”, much larger. Maybe that is the beauty of a kiss, or better yet, the beauty of the ten thousandth kiss between a couple now battling together against cancer.

Whoa, there. Pull back on those reins big fella. I need to get back to the original question of selling out. Yet I still feel it is helpful (if only for myself) to define again why I do photography before I try to decide what selling out would even look like in my case. How would I recognize it if I were letting go of my vision or style just for cash or fame?

2010-05-22
Katie Armiger reluctantly signs an overzealous youth's bicep.

I was going about my own business, teaching school (music, these days), when I heard about a young singer who was coming to the school to share about her experience in the music industry and, of course, sing a few songs for us. It turned out to be Katie Armiger, an up and coming female vocalist in country music.

2010-04-28

I am just now beginning to face the brute reality of setting up as a photographer here in the Temple-Belton-Killeen. When I lived in Asia, I did not really have to advertise that I did weddings: because I was not a local, I did not really have the style the locals like, and among friends and coworkers, those who wanted me knew where to find me. Not so here in the US. I have to make myself known, and figured it was a good time to create my first wedding photography portfolio:

the beauty of a moment - wedding portfolio

2010-04-04

It is easy to enjoy photography, but sometimes, it is much less easy to feel like I am serving any higher purpose than just satisfying my own desires. A quasi-family member of mine (back in China, this relative certainly had a title, but “brother’s brother-in-law” is the best I can find in English) will soon be leaving as a photojournalist for a non-profit organization and I wanted to send a note of encouragement.

I have thoroughly enjoyed watching you develop photographically. You have certainly taken the fast track — you do know that is always the more painful option, right 🙂 — and jumped in with everything you have.

It is easy, as photographers, to doubt the “spirituality” of what we do. Indeed, there is a time to put down the camera and remove the glass barrier between you and the people, but there is so much more to this job, so much that truly is a spiritual sacrifice to the Lord.

2010-04-01

So, here it is, the new, but totally unimproved, website. I have stuck with the ChinaCoop moniker for many years now, and I hate to leave it behind. “ChinaCoop.net” is not exactly a great way to market my services in the United States, though. Nothing against China, of course (I did live there for ten years, afterall), but clients back in Central Texas would pass right by the site thinking Google had gotten something wrong. So, as much as I hesitate to use my name, because is just feels conceited to do so, the name is the only choice I can see. And thus: CooperStrange.com is born.

2010-01-26
Preparing traffic lights for installation.
Preparing traffic lights for installation.

Asia is great for photography, especially photojournalistic photography. You can always find people on the streets and, from a Western perspective, there is always something interesting going on. Having just returned to the United States, I have to adjust to the new situation, adjust to the rhythms and patterns of the American culture, to be able to catch those photos which can portray life and work and reality in the United States.

2009-11-25

There are many aspects of photography, many different paths down which it might lead. My own path is a journey in pursuit of reality, or “true reality” as I like to call it (though I know how redundant that sounds), and with the potential of photography to freeze a moment in time, “reality” is indeed a common pursuit in photography, but not the “true reality” or the spiritual reality which lies behind, through, and all around that surface-level reality. I heard a quote that really seemed to be attempting to bridge the gap between the surface reality and the deeper and wider reality.

In the biographical documentary about James Nachtwey, War Photographer, Nachtwey said, “It’s more difficult to get publications to focus on issues that are more critical, that do not provide people with an escape from reality, but attempt to get them deeper into reality, to be concerned about something much greater than themselves.”

2009-11-18

I have been challenged by War Photographer, a documentary film about the “anti-war” photographer James Nachtwey. As it points out, though he may have started out with at least a partial desire for the travel and adventure, he has become something of an anomaly: he is a quiet and hopeful photographer, who believes his photography can make a difference, even in such overwhelming issues as war, poverty, hunger, and disease.

He says in the film, “We must look at it, we’re required to look at it, we’re required to do what we can. If we don’t, who will?”

2009-09-02

I was digging through a box of  stuff a friend left—I find myself doing this fairly often here in China, we leave little traces of our lives all around the place—and found a Polaroid camera and one cartridge of film, or paper, or whatever you call it for Polaroid. I have been excited ever since seeing it, and I can just feel that it will be the perfect ten pieces of paper to record a special upcoming life change.

For one, Polaroid is just cool. I remember wanting to shoot one when I was a kid when seeing some friend of my brother with one, but I was simply too little to be trusted, I guess. I have never pulled the trigger (more true than I ever knew till just recently, they really do have a trigger kind of mechanism) on a Polaroid. And second, I only have ten shots. That is just exciting in itself.

2009-06-02

“Anyone can cook, but only the fearless can be great” (Ratatouille). Today, I received an e-mail update with a great photo summing up the whole story. It really was a top-quality photo, even though an accident. Of course, maybe that is what makes it so great. It has that Lartigue effect (a not-yet-13-year-old Parisian boy who took some incredible photos).

The update came from some friends in China whose young daughter had just successfully undergone heart surgery this morning. Obviously, that is scary, a lot of emotions are involved, and words alone are usually all we get through e-mail updates from friends. Ok, maybe we get some snapshot. This too was a snapshot, but a powerful one. Photography can be so incredibly powerful, if wielded well.