I just love the photo walk idea: getting together with other lovers of photography, going out, and having fun doing what we love doing. It is not talking about photography; it is doing photography. It is not really meant to learn, yet we usually learn something just by watching others and thinking about a different approach to a particular shot. It is not passive, but directly active. Last year, our Temple, Belton, Killeen, Salado area photo walk was in Temple. This year, we are going to switch things up a bit and try out a new downtown, Belton. Last year was a bit difficult to organize, because initially, our location was rejected because we were too close to other walks, in Austin and (I think) Waco. They finally gave in, but we had lost a lot of time that could have been used getting the word out to interested photographers.…
Tag: basics
There is a difference. The workshop I am starting up today is not “basic photography”, in the sense of photography for just beginners. Rather, if the word “basic” must be used to describe it, it is the “basics of photography”, in the sense that we may already be highly creative, have an excellent eye for the image we want, and take beautiful photographs on a regular basis, but we still have a weakness in the technical aspects of how photography works.
Photography is intriguing in that way: it is both highly creative and highly technical. You have to have a feel for the image, and eye for what to capture, but you also have to have a solid understanding of the technical aspects of how cameras and lenses work. That technical understanding will unlock knew realms of creativity, or, at the very least, help you mess-up fewer photos.
Aperture is just funky. Well, if you sit around with friends calculating the area of a circle and talk about the next digit of π, then maybe you are just a different kind of normal and aperture is your cup of tea. For the rest of us, though, I highly suggest a time honored method to understanding your camera, though understanding why the numbers are weird will elude you: memorize.
Any of us can calculate that ISO 200 is twice as sensitive as ISO 100, and ISO 400 is twice as fast as as ISO 200. With film sensitivity, a stop of light is easy to figure. Even with the shutter speed, though they inconveniently do not use exact numbers, the key numbers are approximately exponential: 2, 4, 8, 15, 30, 60, 125, 250, 500, 1000. There is a little funny business going on in there, but basically, it is easy to figure a stop of light. Aperture, though? Not so much.
An excellent portrait in my book has little to do with technical perfection, trick lighting, or a formulaic set up. An excellent portrait is a glimpse at a person, tells a story, reveals something of the subject’s character, or allows you to understand the subject better. As such, a good portrait might well be in a studio, but quite likely will not, because the subject likely will be more comfortable in a familiar setting, and just maybe, a particular setting could bring out something unexpected. There is, of course, much we can all learn, there are little tips and tricks, but much of portrait photography comes down to just doing it. Trying to make the photo happen, then just letting it happen. Emulating a popular style, then doing it the good old fashioned way. Focusing on technique, then working to capture that one expression. More than anything else, I hope…
Do you see good photo ops, but just cannot seem to make the camera capture the image like you see it? Photography is half creativity and half technique, and without a firm grasp on the technical side of how our cameras capture photographs, we can only hope our cameras take the photo we want. We all struggle with this “other half of photography”, but the more we understand and know how to put into practice, the fewer ruined photographs we will have. I will be leading a class on Wednesday nights this month (January) to learn about light, how our cameras capture it, and the limitations and creative potential unique to photography. Temple Parks & Leisure is providing this class each Wednesday in January from 5:30-7:00pm for a total cost of $45. Feel free to ask any questions you might have of me below in the comments or contact Temple…
I will soon have the pleasure of leading some photography classes here in Temple, Texas, and I wanted to start off with the most useful topic possible [note: I did want to start with portraits, but due to some miscommunication between me and Temple Parks, we will do the portrait workshop in February]. How many of us would not appreciate being able to take better photos of our family and friends? The vast majority of our photos are of people, yet photographing people can prove to be one of the most difficult photographic pursuits. The focus of the workshop will not be to cram technical information…as if portrait photography were as simple as learning some formulaic technique anyway. The focus is to turn simple tips into habits through doing. We will identify the problems plaguing our pictures, learn the fix, and practice that fix enough that we all but eliminate…
It all starts with that new camera in your hands. You got sick of your point and shoot and wanted something faster and better, or maybe you wanted to rekindle that long lost desire to be a photographer that the cost of film and developing had extinguished out of your junior high budget.
Now, you have your new camera and the sky is the limit…until you start taking photos. You just cannot get it right somehow. They are still blurred, out of focus, too dark, too bright, boring, and everything but what you had imagined. Fear not. There is hope.