Tag: aperture

2012-02-23

Best Bang-for-Your-Buck Camera Buy

This camera is most definitely my new favorite suggestion for those folks who ask me what camera they should buy. There is no one camera to suggest for everybody’s needs, but almost everybody who asks is in the looking-to-step-up-to-something-nicer-than-my-point-and-shoot category. For those buying a professional or serious amateur choice, I am rarely asked what I think, because they know what they want without asking me. So, almost everybody is in that middle range: no more point-and-shoot cameras and no felt-need for $1000+ purchases.

For the needs of most, I would suggest the Fujifilm X10. My coworker once asked me, after watching me suggest different cameras for different people, “Why do you suggest different cameras and why do you never suggest your own camera?” I try my best to understand the primary concerns people have, what they want out of their camera, what has been the biggest problem with their current camera, and what kind of photography they will be doing. More often than not, price is the driving concern, and the X10 provides much more for your money than any camera I know of in a similar price range.

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2011-01-25

Memorize Your Aperture Stops

Aperture is just funky. Well, if you sit around with friends calculating the area of a circle and talk about the next digit of π, then maybe you are just a different kind of normal and aperture is your cup of tea. For the rest of us, though, I highly suggest a time honored method to understanding your camera, though understanding why the numbers are weird will elude you: memorize.

Any of us can calculate that ISO 200 is twice as sensitive as ISO 100, and ISO 400 is twice as fast as as ISO 200. With film sensitivity, a stop of light is easy to figure. Even with the shutter speed, though they inconveniently do not use exact numbers, the key numbers are approximately exponential: 2, 4, 8, 15, 30, 60, 125, 250, 500, 1000. There is a little funny business going on in there, but basically, it is easy to figure a stop of light. Aperture, though? Not so much.

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2011-01-04

Learning the Technical Side of Photography

Do you see good photo ops, but just cannot seem to make the camera capture the image like you see it? Photography is half creativity and half technique, and without a firm grasp on the technical side of how our cameras capture photographs, we can only hope our cameras take the photo we want. We all struggle with this “other half of photography”, but the more we understand and know how to put into practice, the fewer ruined photographs we will have. I will be leading a class on Wednesday nights this month (January) to learn about light, how our cameras capture it, and the limitations and creative potential unique to photography. Temple Parks & Leisure is providing this class each Wednesday in January from 5:30-7:00pm for a total cost of $45. Feel free to ask any questions you might have of me below in the comments or contact Temple…

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2010-11-19

Antique Portrait Look

At first glance, the title about antique portraits does not seem to fit at all with the photo above of my boy…but it does…at least to me. Not that anybody is actually going to think this photo is antique, but there is some characteristic here that clicked on in my head as soon as I saw this photo on the back of my camera.

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2010-10-12

What is it like using the Ee-S manual focusing screen on a 5D?

I have really fallen in love with the Ee-S focusing screen for the Canon 5D. This is not a review in the sense that I will try to cover everything, but it is in the sense that I am sharing my thoughts on Canon’s über-accurate manual focusing screen. I have been using it almost totally in conjunction with Nikon lenses. The why will come later, but I mention it now because using it with Canon or non-Canon lenses is actually quite a different experience, and the answer to this question will make a little more sense with that information in mind.

Basically, the matte screen from Canon is made to manual focus wide aperture prime lenses. Since almost all (if not all) cameras display (in the viewfinder) at about f/2.4ish, the depth of field you see is quite different than the actual depth of field on an 85mm f/1.8, 50mm f/1.4, or some such lens. Meaning, you never really know if you are crystal clear where you want to be crystal clear and you just have to trust that the camera focused right where you wanted it.

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2009-10-28

So Far to Go

Theres the REAL photographer! — "Ooo, there's the REAL photographer!"

That is not false humility. It seems with every passing “serious job” I do, I realize how far I have to go. Sure, I took some pretty shots, but there were so many shots that I looked at and thought, “Hmph, that one was almost good.”

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2009-03-19

What Do the Aperture Numbers Mean?

How many of us have looked at the numbers that represent our aperture and wonder what in the world they mean? Why those numbers? Why not something more simple?

Yes, the numbers given to aperture size can be a little confusing, so I will explain, because I do not want you ignoring your aperture just because the awkwardness of the numbers.

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2009-03-12

Next Lens After the Cheap Kit Lens

This is an e-mail from a friend of mine and I could not help but put a couple of my comments to it here online so that more people could benefit from it.

[My wife] got the D40, it was an eBay buy. I wish that we had a better lens, it came with a lower end model. We are saving up and hoping to get a better one soon, they are all just so stinking expensive. It has been great, though, being able to catch those moments with [our kid] that you normally wouldn’t because of the slow shutter speed on the point and shoot digital. I know there are some ways to tweaking the camera so you can get a little better shot out of it, but I haven’t had the chance to play with it enough.

What new lens should my friend buy? Are there some not so expensive lenses out there for amateur photographers on a limited budget? I have just the answer.

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2009-01-05

Event Photography Tips

Do you need to shoot an event? A conference? Meetings? Even if you are not a paid photographer for some event, are you just the one folks turn to for that spur of the moment shot of a guest speaker that nobody guessed would be as good as he was?

Here are some tips, gleaned both from experience and a podcast which inspired me to write this stuff down. It has been so long since I have listened to the show, I cannot remember what from my notes was the guest’s idea and what was mine.

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