An excellent portrait in my book has little to do with technical perfection, trick lighting, or a formulaic set up. An excellent portrait is a glimpse at a person, tells a story, reveals something of the subject’s character, or allows you to understand the subject better. As such, a good portrait might well be in a studio, but quite likely will not, because the subject likely will be more comfortable in a familiar setting, and just maybe, a particular setting could bring out something unexpected. There is, of course, much we can all learn, there are little tips and tricks, but much of portrait photography comes down to just doing it. Trying to make the photo happen, then just letting it happen. Emulating a popular style, then doing it the good old fashioned way. Focusing on technique, then working to capture that one expression. More than anything else, I hope…
Tag: amateur
Do you see good photo ops, but just cannot seem to make the camera capture the image like you see it? Photography is half creativity and half technique, and without a firm grasp on the technical side of how our cameras capture photographs, we can only hope our cameras take the photo we want. We all struggle with this “other half of photography”, but the more we understand and know how to put into practice, the fewer ruined photographs we will have. I will be leading a class on Wednesday nights this month (January) to learn about light, how our cameras capture it, and the limitations and creative potential unique to photography. Temple Parks & Leisure is providing this class each Wednesday in January from 5:30-7:00pm for a total cost of $45. Feel free to ask any questions you might have of me below in the comments or contact Temple…
I will soon have the pleasure of leading some photography classes here in Temple, Texas, and I wanted to start off with the most useful topic possible [note: I did want to start with portraits, but due to some miscommunication between me and Temple Parks, we will do the portrait workshop in February]. How many of us would not appreciate being able to take better photos of our family and friends? The vast majority of our photos are of people, yet photographing people can prove to be one of the most difficult photographic pursuits. The focus of the workshop will not be to cram technical information…as if portrait photography were as simple as learning some formulaic technique anyway. The focus is to turn simple tips into habits through doing. We will identify the problems plaguing our pictures, learn the fix, and practice that fix enough that we all but eliminate…
There are many aspects of photography, many different paths down which it might lead. My own path is a journey in pursuit of reality, or “true reality” as I like to call it (though I know how redundant that sounds), and with the potential of photography to freeze a moment in time, “reality” is indeed a common pursuit in photography, but not the “true reality” or the spiritual reality which lies behind, through, and all around that surface-level reality. I heard a quote that really seemed to be attempting to bridge the gap between the surface reality and the deeper and wider reality.
In the biographical documentary about James Nachtwey, War Photographer, Nachtwey said, “It’s more difficult to get publications to focus on issues that are more critical, that do not provide people with an escape from reality, but attempt to get them deeper into reality, to be concerned about something much greater than themselves.”
My wife insisted I post this. I wrote all this in e-mails the past couple days trying to help a technologically-challenged sister buy a camera for her starting-out-photo-student brother, and they are in different countries, so cannot shop together.
Here is the little background: because these suggestions are for a specific situation. The student-photographer-in-question will have access to loaner lenses through the photography department. So, one, he does not need anything more than a workable lens for himself. And two, all that glass is Canon. So, regardless of my opinions, he needs a Canon camera and should put most of the investment in the camera.
The sister almost bought a Canon 5D mark II and a lens for $2000…and that is about $1000 too cheap. Thankfully, the lens they ordered was an EF-S and would not work on the 5Dmk2, so they were able to cancel the order, which was most certainly some sort of scam anyway. Then, they started thinking about the new 7D or a 50D. And that is where we pick up the story.
I have been challenged by War Photographer, a documentary film about the “anti-war” photographer James Nachtwey. As it points out, though he may have started out with at least a partial desire for the travel and adventure, he has become something of an anomaly: he is a quiet and hopeful photographer, who believes his photography can make a difference, even in such overwhelming issues as war, poverty, hunger, and disease.
He says in the film, “We must look at it, we’re required to look at it, we’re required to do what we can. If we don’t, who will?”
The other day, a friend of mine was showing the photos from his daughter’s wedding. Initially, I was only in the same room and enjoying some conversation with someone else, but then I started to realize how incredible the photos really were. I asked who had taken them, because the wedding was out here in Asia and (believe me) a little out of the way to find a nice wedding photographer. Unknowingly, I had asked the photographer, herself.
Assuming, from the quality of the photos, she was an experienced photographer, I actually asked how she used her flash to balance the light so beautifully. After a brief exchange, which I still have a hard time processing, I found out she had used a regular, old point-and-shoot camera! How could it be?